What is PHD by artefact and exegesis?

In the realm of academia, the traditional path to a Ph.D. often involves extensive research culminating in a thesis or dissertation. However, a lesser-known yet innovative approach gaining traction is the Ph.D. by Artefact and Exegesis. This distinctive model embraces creativity, merging the production of a tangible artefact with an accompanying scholarly exegesis to advance knowledge in diverse fields, including design.

At its core, this unconventional doctoral route hinges on the creation of an artefact. For a design-focused Ph.D., this could manifest as a prototype, a work of art, a design solution, or any tangible creation reflective of the researcher's expertise. The artefact serves as the primary mode of investigation, showcasing originality, innovation, and a deep understanding of design principles.

Complementing the artefact is the exegesis, a scholarly written component that elucidates the conceptual framework, methodology, and critical analysis underpinning the creation. It delves into the rationale behind design choices, the theoretical context, and the implications of the artefact within the broader disciplinary landscape. This critical reflection connects the artefact to existing knowledge, contributing insights and advancing the discourse in the field of design.

The Ph.D. by Artefact and Exegesis fosters interdisciplinary collaboration and encourages a holistic approach to research, allowing for a fusion of practical creativity and academic rigor. It offers a platform for designers, artists, and creatives to innovate, experiment, and contribute to the evolution of design thinking.

In an era where interdisciplinary collaboration and innovation drive progress, the Ph.D. by Artefact and Exegesis stands as a testament to the dynamic nature of research. Its emphasis on marrying creativity with scholarly inquiry opens new avenues for exploring the depths of design, pushing boundaries, and shaping the future of the field. This distinctive approach not only celebrates the art of creation but also enriches scholarly discourse, propelling the world of design into uncharted territories of knowledge and imagination.